They invited fine artist Graham Carrick who had lived opposite the hospital, specialist large-format photographer Peter Mackertich and audio-visual artist Pamela Furness to collectively respond to the rich history of this hospital’s huge site and unusually complex building. The works made and documented in-situ resulted in a unique documentation project spanning painting, film, found object, portrait photography and projections entitled ’Memory and Demolition’. So in 2008. Fitzrovia Noir was born.